New Arrivals

August 17, 2024

GORDON STUDER

*Echoes of Fate*, mixed media on panel, 40" x 72"

*Introductions,* mixed media on panel, 40" x 72"

See all of Gordon's Work

CAROL O’MALIA

See all of Carol's work

JOE BRUBAKER

*Magdalena,* wood, found objects, acrylic, 50" x 10" x 18"

See all of Joe's Work

MADELINE DENARO

*Bittersweet,* synthetic polymer on canvas, 36" x 36"

*The Consistency of Randomness,* synthetic polymer on canvas, 36" x 36"

See all of Madeline's work

LINDA CHRISTENSEN

*Landscape Retreat,* oil on canvas, 60" x 48"

See all of Linda's Work

CHRIS HAYMAN

*Edge of the Grasses I,* oil on canvas, 40" x 40"

*Edge of the Grasses II,* oil on canvas, 40" x 40"

See all of Chris' work

GREG RAGLAND

*Parallel Layers 3.24,* mixed media on plexiglass, 36" x 48"

*Parallel Layers 2.24,* mixed media on plexiglass, 36" x 48"

See all of Greg's work

STEPHEN FOSS

*After the Rain Comes Thistle,* oil on panel, 36" x 33"

See all of Stephen’s Art

MAURA SEGAL

*Deep Sea Diving I,* acrylic and paper on canvas, 36" x 20"

*Deep Sea Diving II,* acrylic and paper on canvas, 36" x 20"

See all of Maurua's Art

LISA GOLIGHTLY

*Beach Swings,* oil on aluminum, 40" x 40"

See Lisa's Art here

CURRENT EXHIBITION

Nicholas Wilton / Flourish

Through August 28

It has been a successful exhibition, but there are still a few great paintings available!

See all of Nick's Art

New Arrivals

February 01, 2024

GORDON STUDER

*Thymos*, mixed media on panel, 94” x 66”

Introducing Gordon Studer, our newest addition to the gallery. Gordon's earthy, confident abstracts are rooted in his discipline as an award-winning commercial illustrator, lending his work a strong, graphic cadence. The result speaks to liminal experience, interstitial time, and dreamscapes in deliberate forms in black atop a palette of ochre, sky blue, and crushed clays.

*Entice*, mixed media on panel. 36” x 36”

See all of Gordon's work

LINDA CHRISTENSEN

Linda Christensen is also new to the gallery. In describing her work she writes, "Ultimately, my work is a series of self-portraits. I know those poses; I’ve shaded my eyes, I’ve collected on the beach, I’ve weighted a foot. Therefore I don’t closely study how to draw the figure. I don’t necessarily want to get everything “right” or follow the rules, as in my childhood. I want the freedom to show you the flaws and imperfections. I want to feel the emotion that comes with being human, and I want you to feel that too. I know how it feels to be me. In truth, I am not an observer of others but an observer of myself.”